Philip Barter

Philip Barter
By:Carl Little
Published on 2017-09-06 by


When, in his twenties, Philip Barter (b. 1939) discovered Marsden Hartley, he felt a calling: to further the vision of the great American modernist. This was an ambitious undertaking for a brash, self taught artist from Boothbay, Maine, but Barter's passion for Maine and its fiercely independent people gave his work a unique, unencumbered vision. Barter was prolific, and he spent a half-century painting the landscape of his home state, becoming the |painter laureate| of the region.InPhilip Barter: Forever Maine, award-winning author Carl Little traces the painter's life from a formative trip to California in the 1960s; to downeast Maine where Barter and his wife, Priscilla, made a life immersed in art for themselves and their seven children; to critical acclaim for Barter in the 1990s and his most recent paintings from 2016 and 2017.By the early 1990s Barter had come into his own. In a review of a Barter retrospective at the Bates College Museum of Art in 1992, Maine Times critic Edgar Allen Beem noted the painter's progress |toward a more idealized vision of the northern landscape, a vision tempered by the spiritual simplicity of Arthur Dove and the physical simplicity of Milton Avery.| The Farnsworth Museum and Portland Museum of Art also acquired Barter's work. He was the subject of a feature profile in Down East magazine and went national when, in January 1995, Tim Sample highlighted his life in art in one of his |Postcards from Maine| segments on the CBS Sunday Morning program hosted by Charles Kuralt.

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